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Friday, April 25, 2008

L.A. County Bar Takes on Design Copyright Debate


from Apparel News

The Los Angeles County Bar Association’s Intellectual Property and Entertainment Law section and the International Association of Entertainment Lawyers will tackle the issue of emerging intellectual-property issues in the fashion industry during its “Hot Off the Runway!” seminar. The networking event and panel discussion will take place May 1 at the Luxe Summit Hotel in Los Angeles’ Bel-Air neighborhood.

Panelists will discuss the scope of copyright and trademark protection for
fashion designs and styles. Topics will include issues regarding rights in brands, the tension between protecting creativity in fashion and allowing more freedom to copy as a way of benefiting consumers, the pros and cons of the pending Design Piracy Prohibition Act, online sales of counterfeit products, and other emerging intellectual-property issues in the fashion industry.

Scheduled speakers include Ilse Metchek, the California Fashion Association’s executive director; Los Angeles attorney David Erickson, whose fashion designer clients include Libertine, Magda Berliner, Suzanne Costas Friewald (founder of Earl Jean), Spring & Clifton, Jasmin Shokrian, Wren, Trasteverine and Cheyann Benedict (co-founder of C&C California); copyright litigator Robert F. Helfing of the Sedgwick, Detert Moran LLP firm; independent designer Rami Kashou; and French attorney Anne-Marie Pecoraro, a member of the International Association of Entertainment Lawyers and an established European fashion lawyer.

For more information, call (213) 896-6560.

—Erin Barajas

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Friday, April 18, 2008

The beauty of Vintage - Designer handbags & accessories

Vintage designer handbags and accessories are very difficult to source. For one thing, unless you really know what it is you are buying and who you are buying it from, there are risks involved. Shopping at reputable resale boutiques in your area and internet sites with longevity like LuxuryVintage is the best way to obtain pre owned merchandise you can trust is the real deal.
Having shopped online for about ten years, we've seen it all. We tried the eBay route and got burned too many times. The fakes run rampant on auction sites, and the sellers are difficult, elusive and evasive. Most of the other auction sites are too new to have established a following or credibility. Buy from someone with a proven track record. Unless you have a lot of time to spare dealing with fraud and decete, we suggest you establish a good relationship with a resale shop or website vs. an auction site. That's just our personal opinion for the novice designer handbag and accessory shopper. You are better off dealing with a known shop or website vs the entangled mess of eBay and Paypal. Sorry guys! That's just how we feel from personal first-hand experience. We aren't saying it's all bad, we're just giving guidance to the novice shopper who isn't as educated in the area of online shopping as they would like to be. They know who they are.
The best source for used designer fashion accessories like handbags, jewelry, watches, bracelets, scarves, hats, etc. is a woman's closet! It's just not easy to find the woman with the goods who wants to unload her old unwanted treasures. That's the task of the resale shop or website owner. It's not an easy task, either. And, the items come at high cost for the owners of the resale or luxury vintage site or shop.
Some of the most coveted items come from famous designer brands like Hermes, Chanel, Cartier, Gucci, Louis Vuitton, Fendi, Prada, and Dior. Unless you know people with these items, it's difficult to find them used for a good price. So, if you love "vintage" you are better off finding a good retailer to buy them from instead of trying to hunt them down yourself. A resale shop or etailer usually doesn't make a bundle on the resale of used goods. Most of the items come at a fairly high price and are marked up enough to cover costs and make a very small profit. Vintage etailers provide options for returns if you are not happy once you have the product in hand. Always check for the authenticity guarantee, talk with the owner of the site and establish trust.


If you are looking for an authentic pre owned designer item and want a great price, but still don't have the money, use a layaway plan. It's a perfect way to get the items you want and keep within your budget. We do not advocate rental of designer bags and jewelry. We think it's a waste of your hard earned money. Rental fees, insurance and hidden fees add up quickly. And, the time you spend fussing with all that can be better spent doing other things you enjoy. Making an investment in a timeless designer fashion accessory is better in the long run. It's yours to keep or pass down to your children. Many of the timeless items from Hermes and Chanel hold maintain excellent resale value. Keeping the name and email address of the people you buy from may help you later if you ever want to resell some of your collection.

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Saturday, April 12, 2008

Alek Wek:The Exotic Face Of Africa





from Leadership Nigeria

The started appearing on catwalks in 1995, when she was 18 and the stars have continued to shine for the striking Sudanese born model, Alek Wek, as she has since walked the runway for very high profile fashion designers which include John Galliano, Donna Karan, Calvin Klein, Fendi, Ermano Scervino, Jean Paul Gauliter, Ralph Lauren, Haltson, YSL, Michael Kors, Valentino, Gucci and many more. She has also appeared on ads for Issey Miyake, Moschino, Victoria Secret and Clinique and is not peddling down as she is still signing more ad and runway contracts at 30.

Alek Wek was born into a southern Sudanese Dinka tribe family in 1977 and was raised in a close knit family, in the small village of Wau. "In my country", she says, "Families are raised as though they are one. Although I am from the Dinka tribe, my parents didn't raise us as the Di
nka tribe. They raised us as the Wek family in the way they believed their children should grow up".

She was named the black and white cow after a tribal good luck symbol and this name is sure bringing her luck as she now has all the fame and success she can garner.

In 1982, a civil war broke out between the Muslim north and Christian south of Sudan, the Wek family fled Wau and moved to Khartoum, the capital. Her father however underwent a hip replacement surgery but unfortunately passed on as a result of complications arising from the surg
ery.

So, this prompted the Weks' decision to leave Sudan. Alek's elder sister had moved to Britain before the civil war and hence filed for refuge status on behalf of her family. In 1991, Alek Wek and her younger sister moved to Britain, her mother and the remaining siblings joined two years after.

Fortune smiled on Alek while she was studying Fashion technology and business at the prestigious London college of Fashion. She was shopping at an outdoor market when she was discovered by models one scout, Fiona Ellis in 1995.

She signed on to Models one and it wasn't long before the success story began for the African queen as she was immediately selected to appear in the music video for Golden eye by Tina Turner. She also appeared on the pages of cutting edge pu
blications vibe and iD, hence made it into the world of fashion as one of the world's top models.

She moved on to Ford modelling agency in 1996 and her modelling career kept sky rocketing as high profile designers couldn't have enough of the young African model who had this very rare and distinctive look.

She appeared in Janet Jackson's got till its gone video that year, walked numerous runways and appeared in highly placed ads. She went on to clinch a couple of awards, which include Best new model award at the Venus de la Mode fashion award, 1997 MTV model of the year award, and model of the decade by i-D.

Her achievements as one of the world's top model cannot be u
nderestimated as she became one of the most expensive models in the world, earning a mouth watering 2.7 million pounds a year in 2002. Alek took a shot at acting that same year when she appeared in the movie, The Four Feathers as Sudanese Princess Aquol

The intelligent, smart and self driven African ethnic beauty also started designing her range of designer handbags called "Wek 1933", a name she decides to use in memory of her late father who was born in the year 1933.

In 2004, she was named the face of the Cape Town fashion week. She was also face of the This Day style awards held in Lagos, Nigeria in 2006. She is Africa's pride to behold and has been described as a success story for the African continent and one of the very few to have a successful modelling career outside the African shores.



Alek has been compared to Somalia born model that has been described as one of the world's greatest beauty and greatest models, Iman Abdulmajid, which she considers an honour. She has also been described as beautiful and chic by renowned designer, Karl Lager field and this she considers very exciting, "Chic was just a word that never popped into my head. Functional, yes, fashionable, lovely but to hear chic from Karl of all people was beyond exciting".

Alek is filled with great confidence and is not one for any form of self decapitating as she believes that true beauty always comes from inside and has a way of radiating through the person.

"I have no problem with whatever the next big look is, whether it is big blond hair and blue eyes or green hair and dark eyes," she says, "That's fine, so long as there isn't just one ideal image. Just don't try and tell me that only one look is beautiful".

She has also looked beyond her modelling career as she has worked for Aids awareness benefits, breast cancer research and has taken a place as a member of the US committee refugees' advisory council. Her experience as a refugee has helped her work earnestly to fight for the cause of refugees' world wide. She is also raising awareness on the humanitarian disaster in Sudan and other war torn countries and launched an aid program called doctors without borders to fight this cause.

She plans to live in Sudan again that basically will be after the war that has ravaged the country for more than a decade.

"It's a beautiful country with an amazing culture and history. It is so unfortunate that the civil war has robbed my people of their basic rights, their voices, the necessities of life and even life itself.

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Friday, February 8, 2008

What's Happening Los Angeles Designers?


From Apparel News


Hollywood Fashion Biz Ponders Return to Work After WGA Strike
by Andrew Asch, Retail Editor

It’s been a winter of discontent for costume designers, boutiques and other fashion businesses that provide wardrobes for television shows. The 3-month-old Writers Guild of America strike put many of their livelihoods on hold and cost Los Angeles County $1.4 billion in lost business, said Jack Kyser, chief economist for the Los Angeles County Economic Development Corp. But the costume designers and other Hollywood fashion businesses may be going back to work soon.

A breakthrough in strike negotiations on Feb. 1 may signal an end to the labor conflict, possibly in the next couple of weeks, according to reports in The New York Times and other national news outlets. However, costume designers and other fashion companies doing entertainment business might not get back to work for a month, said retailer Danny Marsh, even if the strike is resolved before the broadcast of the 80th Academ
y Awards ceremony on Feb. 24.

“Everyone is excited that the strike might be ove
r,” said Marsh, owner of boutique Sy Devore, located in Los Angeles’ Studio City neighborhood. More than 25 percent of the store’s income comes from “studio services,” selling clothes to costume designers for television shows such as “Grey’s Anatomy,” “Ugly Betty” and “CSI: Miami.” “It will take 30 days to get back to normal,” Marsh said. “And I don’t believe the strike is over until it’s over.”

Other costume designers familiar with scheduling for television projects said the call back to work might come earlier or later than 30 days. It all depends on when scripts for the upcoming pilot season are approved. Costume designers need scripts to get an idea of what a show’s characters would wear, said Mary Rose, president of the 740-member Costume Designers Guild. “If you don’t have a script, you can’t do anything,” she said.

The strike has impacted anyone with a connection to the suffering entertainment industry, from restaurants to car valets. Business for the Los Angeles fashion designers who produce gowns for the awards-show season has also been hit.

Many celebrities refused to cross WGA picket lines at awards shows, and gala celebrations for the Jan. 13 Golden Globe Awards were cancelled in lieu of a low-key press conference. A representative for the Academy Awards said the event will go on, strike or no strike. But designer Kevan Hall said the Golden Globes cancellation put a damper on the awards season, which also includes the Grammy Awards, scheduled for Feb. 10.

“We only lost the Golden Globes, but it felt like we lost more,” Hall said. His red-carpet fashions have been worn by celebrities such as Katherine Heigl, Drew Barrymore and Felicity Huffman.

Los Angeles–based designer Octavio Carlin said the weak awards season might cost him more than 50 percent of his business this year. “One year ago, we were so busy. This year, nothing is happening. No one is going out,” Carlin said.


Some of Hall’s clients have dropped by his studios for fittings for their Academy Awards dresses despite rumors of some festivities being cancelled. Otherwise, the designer said his business was going on as usual. He continues to sell gowns, with retail price points ranging from $2,000 to $4,500, at high-profile boutiques such as
Stanley Korshak in Dallas.

Yet, if awards shows cancel their festivities, Hall said he might miss out on the extra business generated from the awards-show publicity. When Felicity Huffman wore his gown to accept an Emmy Award in 2005, retailers and women from around the world contacted him to buy the dress. He said he received more than 15 inquiries fro
m Dubai alone after the awards show.

With awards-show celebrations losing some of their sizzle, fashion houses have found other ways of making money. Los Angeles–based Lloyd Klein did the wardrobe for the video of Paula Abdul’s song “Dance Like There Is No Tomorrow.” The design house also has hosted private fashion shows at its headquarters to increase sales interest.

The lackluster awards season has not affected the marketing business of producing gifting suites. Although not associated with awards shows, gifting suites are scheduled for the days leading up to the events. The suites offer companies a chance to distribute their products to celebrities who are in town for awards shows.

Kari Feinstein has produced several gifting suites over the past five years. This year was not expected to be different, she said. “No one thought the Golden Globes were going to be cancelled. They thought it was going to be worked out. So we went forward with it,” she said. Feinstein is the owner of Feinstein/McGuiness PR. More than 35 companies contracted with her company to be represented at her Golden Globes lounge, which took place Jan. 10–11 at the Social Hollywood nightclub in Hollywood.

A few companies dropped out of the lounge because of the labor struggle. Because Golden Globes festivities were cancelled, she renamed her event “Winter Style Lounge.” More than 400 people visited, and Feinstein opened up the guest list to include some hairstylists, makeup artists and craftspeople who were unemployed because of the strike.

Television costume designers suffered heavil
y during this strike, said Rose, president of the Costume Designers Guild. More than 400 of the 740 members of her union have been out of work. Other businesses have been hurt. Los Angeles–based Kato Sewing Machine Co. makes 75 percent of its income from renting sewing machines and dress forms to costume designers. The business plummeted during the strike, said owner Alvin M. Kato.

Fashion boutiques serving neighborhoods with a high population of TV-industry professionals have cut back on their inventory. Studio City–based Sy Devore cut its Spring orders by 50 percent. They made the reductions in October because they knew the strike was coming. “If business stays the way it is, I’ll have to cancel some more goods,” Marsh said. “But if business changes, I can fill up the store again.”
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California on the Schedule at N.Y. Fashion Week
by N. Jayne Seward, Fashion Editor
NEW YORK—More than 20 California designers are participating in New York Fashion Week this season. (Shows officially began on Feb. 1, although Band of Outsiders/Boy kicked off the week early on Jan. 31.)

Among the West Coast labels showing in the tents at Mercedes-Benz Fashion Week and at independent venues around New York are Development by Erica Davies, Rock & Republic, Juan Carlos Obando, Twelfth Street by Cynthia Vincent, Monique Lhuillier, Rodarte, Koi Suwannagate, Katy Rodriguez, Marchesa, L'Wren Scott, Tadashi Shoji, Jenni Kayne and Trasteverine. Making headlines, Max Azria is the first American designer to show three collections during New York fashion week. Azria’s lineup includes BCBG Max Azria, Max Azria and the newly relaunched Herve Leger by Max Azria collection. The Academy of Art, San Francisco hosted a conceptual and innovative group show of recent graduates. In addition, there were several former Angelenos, including former Trovata partners Sam Shipley and Jeff Halmos, who showed their Shipley & Halmos label. The lineup also includes the latest iteration of Halston, under the direction of Tamara Mellon, Marco Zanini and celebrity stylist Rachel Zoe.

California Apparel News and ApparelNews.net will be running coverage from the New York shows over the next two weeks.

Academy of Art, San Francisco

San Francisco is shining a bright light on its upcoming design talent, and the Academy of Art University proved the city has plenty to offer in the way of innovation. The University’s School of Fashion presented the work of recent graduates on Feb. 2 during Mercedes-Benz Fashion Week in New York. “We are honored to be showing for the fourth time in the Bryant Park tents,” said Dr. Elisa Stephens, president of the university, in a prepared statement. “We view this opportunity as part of our commitment to launch the careers of our graduates,” she added. The runway debut allowed the school to showcase the talents of recent grads to prospective companies and press attending New York Fashion Week. And for those in attendance, the designs were less “design school” than an innovative showcase. Collections included a range of innovative fabrics, knitwear and conceptual, architectural designs. The show had plenty of variety. Futuristic styling, intricate construction and silver metal design work were utilized by fashion designer Sherise Eways and jewelry designer Melissa Christensen in a series of chic suits and dresses that kicked off the show. Colorful geometric prints and M.C. Escher–inspired artwork freshened up prints on wool, cotton and faux fur in textile-design major Young Jun Ryu’s collaborative menswear collection. Innovative knitwear by Juhee Chung was stunning, made in metallic yarns that were crafted into sculpted, geometric dress silhouettes and elaborate cardigans with braided treatments. Jee Hyoung Jang utilized quilted textiles to create architecture-inspired spatial designs, and Soo Jung Sung utilized paper-coated fabrics by Ivanka Georgiev to create stylish trench coats and dresses. Architectural structures created by BoKyung Cha were added to modern sophisticated silhouettes such as a black wool coat with cylinder-shaped folds. The effect was undeniably an ode to the avant-garde.

Max Azria

An independent spirit pervaded the Max Azria Fall ’08 collection. Created by husband-and-wife design team Max and Lubov Azria, the label is an artistic outlet for the duo. The collection was presented at Mercedes-Benz Fashion Week on Feb. 4 at Bryant Park. Eclectic, yet poetic, the collection played on elements of contrast with a quirky sensibility. Azria’s free-spirited muse marched to the beat of her own drummer. Feminine silhouettes, transparent fabrics and corsetry juxtaposed menswear-inspired coats, harem-style pants and boxy, knit sweaters. Organic yet structured; feminine yet masculine—those were the dichotomies created by the Los Angeles–based label. Dresses and coats were made in unexpected fabrics such as a silk gauze that revealed hosiery and a garter belt beneath translucent layers. Bra tops were casually layered over sheer dresses for sensual touch, and luxe furs were used to make dresses and chic, voluminous coats. Exquisite pleated details, flirty ruffled necklines and hand-molded felt caps topped off the look.

Rock & Republic

Rock & Republic is known for sex appeal, and this season, creative director and owner Michael Ball sent it into overdrive. The Feb. 2 show, which debuted at Mercedes-Benz Fashion Week in New York, was aptly dubbed “Noir.” The collection, mostly in black with hints of gray and splashes of purple, was certainly on the dark side. Anyone familiar with the work of newly employed Vice President of Design David Cardona could sense a newfound sophistication. The Cardona touch was evident. Inspired by the film-noir style of the 1930s and ’40s, the designer turned out red-carpet gowns fit for sexy divas in slinky purple and inky-black jersey fabrics. Cutouts and slit-to-there slashes left little to the imagination. The collection flirted with sex and power themes at the root of film noir’s mysterious look. Men and women walked down the runway in skin-tight tailored suits and chic black-leather trench coats—all topped with fedoras. A dark undercurrent to the collection had a futuristic “Blade Runner”-meets-“The Matrix” edge. Exaggerated collars, chubby fur coats, chunky cable knit sweaters and military-esque styling personified the look. Almost absent to the collection was denim—save a few pairs of black waxed-denim jeans that were barely distinguishable on the runway. Of course, it wouldn’t be a Rock & Republic show without some theatrics. Ball employed the Treefort Recordings orchestra to perform live music throughout the show.

BCBG Max Azria

Max Azria debuted his BCBG Max Azria collection on Feb. 1, the opening day of Mercedes-Benz Fashion Week in New York. The show was one of three staged by the Los Angeles company at Bryant Park this season, each highlighting a different collection: BCBG Max Azria, the company’s core brand; Max Azria, its upscale designer collection; and Hérvé Léger by Max Azria, a relaunch the French label owned by Azria. The three shows gave Azria the distinction of being the first American designer to show three collections during New York Fashion Week. For BCBG Max Azria, the designer translated a strong vision for the independent, modern woman. For Azria, the key to dressing this season seems to demand one have her own sense of style. Whether headed to the office or a night on the town, an individual look is the key to modernity. Tonal, demure silhouettes felt empowered yet fluid in bamboo, silk charmeuse and jersey fabrications. The collection—in shades of nude, cream, sand, dark gray and taupe— was off-set with more-serious, somber shades of mauve, dark plum, midnight, teal and cranberry. Feminine yet architectural dresses, trench coats and mini cocktail numbers were given new proportions and exaggerated details. Cocoon-shaped jackets, elaborate draped collars and pleated asymmetric capes updated classic silhouettes. Azria experimented with hand-stitched details, pleating and rosettes to create a diaphanous, organic feel to the collection.

Hervé Léger by Max Azria

Hollywood, get ready. Max Azria has relaunched the Hervé Léger collection, and the “bandage dress” has been reborn. Already spotted on a number of starlets such as Kate Bosworth, Beyoncé Knowles and Victoria Beckham, the form-fitting dresses have been a blowing out at retail. Holding a runway show in New York was the obvious next step to relaunch the line. While the French fashion house was acquired by BCBG Max Azria Group nearly 10 years ago, Azria began reinventing the brand last year. While updating the look, Azria is also continuing the design heritage of the house by utilizing its signature banding construction to shape and sculpt the female form. For Fall 2008, Azria modernized the signature look through the use of a sophisticated color palette and linear surface treatments such as ribbon appliqués, beading and sequins—effects inspired by French abstract painter Pierre Soulages. Azria also incorporated the banding technique into wool jackets, cashmere cardigans and waist treatments on trousers. Provocative corsetry added unapologetic sensuality to the collection while feather headbands and transparent gloves created a youthful, romantic edge. All in all, the look was elegant yet sexy and oh-so-modern.

Development by Erica Davies

Erica Davies has come into her own. The British-born designer presented Development by Erica Davies alongside her eponymous collection for the second time in New York, on Feb. 2. The show, held at the Waterfront (formerly The Tunnel), echoed the modern bohemian feel of its location. An urban bohemian look was created by mixing modern, refined silhouettes with colorful Romanian gypsy-inspired prints. Davies said she also tried to add a British rock ’n’ roll feel to the mix. “Erica Davies was the gypsy, and the British girl was Development. That’s how I converged the two of them,” she said. The collection played on the juxtaposition of hard and soft elements. The colorful flowing silk chiffon dresses of Erica Davies contrasted Development’s muted collection infused with sharp tailoring—a technique Davies mastered as creative director for Tyler, Richard Tyler’s diffusion line. Menswear-inspired peacoats and trousers were softened with flirty ruffled collars, oversize sweaters and flowing chiffon dresses. Hard-edged necklines, racer backs, porcelain-like studs and black bugle-bead detailing lent a futurist edge. Styles were accessorized with the recently launched collection of Development shoes, a new venture for the company, which is also planning to launch handbags in the near future.

Juan Carlos Obando

Known for his conceptual approach to design, Juan Carlos Obando created an intriguing yet contrasting theme for his Fall ’08 collection. “Liz Goldwyn vs. Frank Miller” set the stage for a dark-edged and futuristic yet timeless collection. The Colombian-born designer held his second presentation in New York on Feb. 2 in a space in midtown Manhattan. The designer created an impressive 14-piece collection that continued the use of signature design elements, such as the hanger dress, waxed-cotton fabrics, gathered necklines and braided trims. “I wanted to do something new, but I didn’t want to walk away from what I do, which is drape beautiful, knotted, twisted, hand-tucked, hand-sewn gowns,” Obando said. The designer said he wanted to create a collection for the “Super Hero” women of today—minus the cartoony innuendo. Elegant ethereal gowns were a sharp contrast to new short mini shapes. Obando added an element of modernity with bias-panel gowns that played on color blocking in black, nude and green. Standout pieces included an austere gray gown with expertly crafted hand-folded sleeves, a purple coat made from 120 yards of hand-sewn silk chiffon strips and a hand-beaded PVC/sequin nude dress with an organza feather cape. Asymmetric lines, exquisite fabrics and futuristic studded belts characterized the collection.

Katy Rodriguez

Hard futuristic lines and a decidedly sexy look defined Katy Rodriguez’s Fall ’08 collection. Rodriguez’s dark direction was a sharp contrast to the soft 1960s-inspired silhouettes that debuted at Gen Art’s Fresh Faces in Fashion in 2006. The vintage retailer-turned-designer showed her collection Feb. 1 at the Mark Seliger Studio in Manhattan. The collection, titled “Birds and Other Secret Machines,” was inspired by a melding of nature and industry (e.g., birds, modern architecture and machines). Rodriguez added a sexy, almost-bondage feel to cocktail sheaths and sophisticated A-line shapes with intricate seaming and patent-leather panels. Exaggerated shoulders and body-conscious silhouettes characterized the look. Rodriquez infused the collection with patent-leather trims, color blocking and zippers for an extra edge. Daring Hollywood divas may opt for styles such as a black wool suit made with dramatic pointed shoulders, a striking red cocktail dress with intricate diagonal seaming or a black leather jacket paired with black leggings.

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Sunday, January 20, 2008

eFashionHouse offers online shoppers unlimited designer handbag purchases


Unlike other online stores, eFashionHouse.com offers online shoppers freedom to purchase an unlimited amount of designer handbags. Many large department stores limit online designer handbag purchases to one item per customer.

Sky Valley, CA (PRWEB) January 21, 2008eFashionHouse announced today they have no limits when it comes to online shoppers. They do not limit the amount of items one customer can purchase. Unlike the department stores who announced on January 10, 2008, a worldwide purchase control of designer handbags, eFashionHouse proclaims the opposite.

“Our Internet business moto is ‘Shopping without Boundaries.’ We are in business to cater to the world,” said Anna Miller, eFashionHouse.com’s owner. Online shoppers can purchase as many items as they want when placing an online order at eFashionHouse.com.

eFashionHouse was named Best of the Web by People StyleWatch and recognized by About.com as the top online retailer of Chanel.

eFashionHouse ships worldwide, offers deep discounts off retail, charges no sales tax and provides free USA FedEx delivery for orders over $200. Selling online for over twelve years, eFashionHouse lists high end brands like Chanel, Prada, YSL, Gucci, Fendi, Bottega Veneta, Tods, Coach, Tano, Marc Jacobs, Ferragamo, Dior and more.

Unlike many of the other online stores selling the same products, eFashionHouse allows online shoppers to purchase as many designer fashion accessories they want. There’s no limit to the items online shoppers can purchase and the money they can save. eFashionHouse is known for deep discounts on their entire product line.

Aboute FashionHouse.com
Anna Miller is the President of i-GlobalMall.com, Inc. She operates the website http://www.efashionhouse.com/ and sells high-end authentic designer handbags and accessories at off-retail prices. eFashionHouse.com was named BEST OF THE WEB by People StyleWatch Magazine for Discount Designer Handbags and Purses. eFashionHouse.com should not be confused with any other website selling a similar product or using a similar name. eFashionHouse.com is the home of five fashion ecommerce stores: BrandsBoutique, LuxuryVintage, DesignersLA, ItalysOutlet, and ValueBags. Anna is considered an Internet Pioneer and has been reselling Designer Merchandise online since the early 90s.

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Saturday, January 12, 2008

L.A.'s Melrose Heights: Destination District Aspires to Be More





by Andrew Asch, Retail Editor
Apparel News, January 11 2008

A wave of high-profile boutiques opened shop in Los Angeles’ Melrose Heights neighborhood in December, and to many, it looked like they made the best real estate choice.

The shopping district, located west of Fairfax Avenue, abounds with smartly designed boutiques representing star designers and some of the world’s most popular fashion brands. With a concentration of top-tier stores, the street’s status as a premier retail strip seems assured. But veteran Melrose boutique owner Gordon Morikawa said that even with all of this retail might, Melrose is falling short of its potential.

“[The street’s] landlords might be looking at this place as a new Robertson, but it’s not,” said Morikawa, who has co-owned Xin boutique at 8064 Melrose Ave. since 1999.

While commercial rents have been steadily increasing—some say perhaps tripling—since 2005, the street has yet to make the leap to become a shopping district where groups of shoppers hang out, similar to Robertson Boulevard or Rodeo Drive. Instead, Melrose Heights retailers say they are faced with enticing shoppers to make special trips to their boutiques. Encouraging destination shopping is tough.

The extra effort might make for a sweeter reward, according to Tarina Tarantino, who runs a self-named jewelry and accessories boutique at 7957 Melrose Ave. The destination customer is more likely to make a purchase. Yet Melrose Heights can improve if it becomes more pedestrian friendly by offering more cafés and crosswalks. “It is annoying to have to walk two or three blocks to cross the street,” Tarantino said. Morikawa said he hopes a few street improvements, such as crosswalks and perhaps more trees providing shade, would make shoppers more comfortable walking on the street. To make it a reality, he plans to dust off the moribund Melrose Heights Merchants Association, which has been inactive since 2005.

In 2002, he and other neighborhood merchants formed the association to petition Los Angeles City Hall. First on their shopping list was to give their strip of Melrose Avenue a new name. Melrose Heights might appeal to press and consumers, they thought. The merchants succeeded in getting their new moniker. The same year they enlisted Los Angeles–based public relations company People’s Revolution to spread the word about this new area.

They were successful again, and the street experienced a spike. Later, more brand-name retailers started moving onto the street, beginning with Marc Jacobs in 2004.

The first item on Morikawa’s 2008 “to do” list is to organize meetings with the district’s retailers. The next step might be working with local government to get help with city projects, such as getting more crosswalks on the street. Other projects include planting more trees for shade and better street aesthetics and perhaps posting signs in the area to mark it as a special retail area.

Defining the district

The street’s merchants already have the tools to make their area more than a destination, Morikawa said. He defines Melrose Heights as Melrose Avenue between La Cienega Boulevard and Fairfax Avenue. The district does not include Melrose Place, a quiet street behind Melrose Avenue that houses boutiques of iconic designers such as Oscar De La Renta and Carolina Herrera, Morikawa said.

Since 2004, Melrose Heights has blossomed into a Los Angeles address for a wide variety of celebrated streetwear and fashion labels. London-based Paul Smith opened a boutique on the 8200 block of Melrose Avenue in December 2005. At the other end of the fashion spectrum, Los Angeles–based streetwear brand Crooks & Castles opened a store on the 8000 block of Melrose in December 2007.

The attention by the high-profile names has made commercial rents skyrocket. Since 2005, the street’s rents increased from more than $3 per square foot to more than $8 in the past month, according to Jonathan Ahron, managing director of the retail-services group for the Los Angeles office of real estate business Charles Dunn Company.

The good news for the area’s retailers is that the rents may have stabilized.

According to Chuck Dembo, a veteran real estate executive, the street’s rents are settling down to $6 to $7 per square foot. “I don’t expect it to go much higher,” said Dembo, a partner in Beverly Hills–based Dembo & Associates. Rent increases might have plateaued because the economy is slowing down, he said.

If so, that makes Melrose Heights more economical than Robertson—but a step up in price from the nearby shopping district of West Third Street.

Landlords of Robertson’s most popular blocks asked for $15 to $25 per square foot in 2007, according to a study released in November by Beverly Hills–based Sachse Real Estate. Rents for stylish West Third Street ranged from $4 to $7 per square foot.

The other names on west Melrose have the wherewithal to make the thoroughfare into a fashion mecca—albeit a diverse one. In December 2007, streetwear skate brand DC Shoes opened an activewear emporium at 8025 Melrose Ave., and New York fashion label Foley & Corinna opened a 1,000-square-foot store at 8117 Melrose Ave.

For fans of high-profile fashion brands, the street offers flagship stores for labels such as Adidas and Miss Sixty. Art-driven fashion line Betsey Johnson has a store there, as does daring lingerie line Agent Provocateur.

The street offers smart independent shops such as Xin, Creatures of Comfort and Madison. The street also is an address for BCBG Max Azria, as well as the Los Angeles outposts for French brand Diabless. The street’s specialty shops are anchored by Ron Herman at Fred Segal, one of the stores that pioneered Los Angeles’ fashion-boutique scene.

With all of the retail history and spectacular brands on the street, Morikawa said that retail traffic should be more bustling.

While the street enjoys a steady stream of tourists, many of them have been attracted to the area by Fred Segal, Morikawa said. Yet Melrose’s heavy car traffic also may drive pedestrians away.

But the heavy traffic might benefit retailers in other ways, said Charles Dunn’s Ahron.

“[Retailers’ signs] are billboards for the drive-through traffic,” he said.

Morikawa said that the street’s merchants are capable of building more retail traffic on Melrose. “It’s being acknowledged as a great street,” he said. “It’s up to the merchants to make changes.”

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Tuesday, January 1, 2008

Year End Markdowns - Designer Handbag Clearance Sale


Dedicated to offering authentic designer handbags and accessories at below retail prices, eFashionHouse.com announced today a New Year's Celebration with final markdowns throughout the website for handbag lovers around the globe.


Sky Valley, CA (PRWEB) January 1, 2008. eFashionHouse.com named Best of the Web by People StyleWatch for below retail priced designer handbags and recognized by About.com as the top of three online retailers of off-priced Chanel announced today a year-end clearance with lowered prices throughout the site and an extra 25% off savings on its designer handbags and accessories.

There's nothing fake about this New Year Celebration, and there's nothing fake about the designer fashion accessories sold by eFashionHouse. eFashionHouse made a conscious decision to lower all their prices site wide to celebrate the new year, and to give fashionistas world wide a head's up about the increased prices to expect in 2008 for the same branded products.

In 2005, the average price of a high-end designer purse was about $2000. In 2007, the average price hit about $3000. In 2008, expect prices throughout all major Department Stores and ecommerce sites to increase again. "Some Designers have already increased their new collections as high as 20% per item," said Anna Miller, eFashionHouse Owner. "We don't expect this trend to change or fade in the near future."

Unlike other ecommerce sites, eFashionHouse has systems in place for global shipping. Online since the mid-90's, eFashionHouse has offered its shoppers deep discounts on names like Gucci, Fendi, Hermes, Chanel, Prada, Etro, Marc Jacobs, Tods, Burberry, Tano, Furla, Yves Saint Laurent, Versace, Moschino, Dolce & Gabbana, Pietro Alessandro, and many more high-end designer brands. eFashionHouse.com is the home of five fashion stores with an variety of items at all price points. The site was recently recognized by About.com for being the top of three online retailers with below-retail Chanel merchandise -- both, new and vintage. The eFashionHouse.com New Year Celebration requires a coupon discount code to be used at checkout, the code is 25EFH08. The code is valid January 2, 2008 and expires January 11, at which time all items will return to their everyday prices of 25% - 60% off retail.

About eFashionHouse.com
Anna Miller is the President of i-GlobalMall.com, Inc. She operates the website http://www.efashionhouse.com/ and sells high-end authentic designer handbags and accessories at off-retail prices. EFashionHouse.com was named Best of the Web by People Magazine StyleWatch for Discount Designer Handbags and Purses. eFashionHouse.com should not be confused with any other website selling a similar product or using a similar name. EfashionHouse.com is the home of five fashion ecommerce stores: BrandsBoutique, LuxuryVintage, DesignersLA, ItalysOutlet, and ValueBags. Anna is considered an Internet Pioneer & Ecommerce Entrepreneur. She’s been reselling Designer Merchandise online since the early 90s. eFashionHouse.com has an extensive Press Page and a Fashion Blog Network. Visit the site for more details.

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Tuesday, November 13, 2007

In West L.A., A Homeless ManInspires New Brand

Mr. Jermyn Is Face On Popular $98 'Hoodies'
Sister Fears Exploitation


By JON WEINBACH - The Wall Street Journal Online
November 14, 2007

LOS ANGELES -- The newest sensation at the center of Hollywood's fashion scene isn't a famous designer or starlet. It's a 56-year-old homeless man who spends his days dancing on roller skates.

John Wesley Jermyn has been a fixture in West Los Angeles for more than 20 years. Nicknamed "The Crazy Robertson" and "The Robertson Dancer," he is a constant presence on a stretch of Robertson Boulevard that has become the city's trendiest shopping corridor and a prime strolling spot for tourists and movie stars. Among locals and online, there's much speculation about Mr. Jermyn's personal history, including one oft-repeated rumor that he's a secretive millionaire.

In a plot twist worthy of Tinseltown, Mr. Jermyn now has a clothing label named after him. Since it was introduced last month, "The Crazy Robertson" brand of T-shirts and sweatshirts, created by a trio of 23-year-olds, has flown off the shelves at Kitson, a haunt of tabloid stars like Paris Hilton. The clothes feature stylized images of Mr. Jermyn, including one design -- available on a $98 hoodie -- that has a graphic of him dancing and the phrase "No Money, No Problems" on the back. At the largest of Kitson's three boutiques on Robertson, shirts bearing Mr. Jermyn's likeness are sold alongside $290 "Victoria Beckham" jeans and $50 baby shoes designed by pop star Gwen Stefani.


The label's owners, who grew up in Beverly Hills, have created a MySpace page for Mr. Jermyn. It doubles as an ad for the clothing brand and their nightclub-promotion venture, which is also named "The Crazy Robertson." The young entrepreneurs spent months trying to forge a relationship with Mr. Jermyn -- who now goes by the name John Jermien -- before gaining his approval. They have consulted him on design decisions and had a photographer shoot him for publicity images.


In May, Mr. Jermyn agreed to a deal that entitles him to 5% of "net profit" from clothing sales, according to a copy of the contract seen by The Wall Street Journal. He signed the contract, without speaking to an attorney or family members. But so far he has refused to accept much cash, preferring to be paid in food, liquor and paper for his art projects, according to Teddy Hirsh, one of the label's founders. "He tries not to involve money in his daily life," says Mr. Hirsh, who says he is Mr. Jermyn's agent and manager for future endeavors. Mr. Hirsh says Mr. Jermyn has already received several small payments, even though the company hasn't "made much profit" so far. "We haven't collected anything for ourselves," says Mr. Hirsh.


Videos of Mr. Jermyn skating and dancing are among a number of recordings of him posted on YouTube.Mr. Jermyn's slide into homelessness is a painful subject for his sister Beverly. And so is the clothing deal. She believes "The Crazy Robertson" founders are exploiting her brother's condition to build their brand. "I think these guys saw an opportunity and they took it," she says. "I am not happy with the arrangement."


Ms. Jermyn, who lives close to the alley where Mr. Jermyn sleeps, says her brother has a form of schizophrenia. He refuses to take medication, she says, despite suffering from fits of shouting and cursing. In the years since his condition began deteriorating in the late 1970s, "he slipped through my fingers like sand," says Ms. Jermyn, 64, who manages facilities for Oracle Corp.

In the late 1980s she testified in court in a proceeding to force her brother to seek help, but psychological evaluators found him "lucid and gracious," according to Ms. Jermyn. She has made countless attempts to provide him with shelter and therapy, and she still visits him twice a week with food. She also pays for his cellphone and collects his Social Security checks on his behalf.


The repackaging of Mr. Jermyn as a fashion front man comes at a time of increased fascination with homelessness. The producers of "Bumfights" -- a collection of videotaped street battles between vagrants -- claim to have sold more than 300,000 DVDs since 2002, and a British TV series called "Filthy Rich and Homeless" made headlines this year for its depiction of real-life millionaires posing as London beggars.



Across the U.S., a growing number of homeless people have gained attention through the Internet. More than 17,500 videos on YouTube are tagged with the word "homeless." Leslie Cochran, a street resident in Austin, Texas, who has twice run for mayor, has 10,775 "friends" on his MySpace page. In Boston, the profile of Harold Madison Jr. -- a homeless man better known as "Mr. Butch" -- rose through online clips and a Web site made in his honor.


Mr. Jermyn was raised in Hancock Park, a historic L.A. neighborhood that's home to some of the city's wealthiest families. His father managed one of L.A.'s largest Chevrolet dealerships. A star athlete in high school, Mr. Jermyn was selected by the Kansas City Royals in the 1969 Major League Baseball draft. He attended Pepperdine University and played a season for a Los Angeles Dodgers' minor-league team in Bellingham, Wash. (He hit just .205 and made 12 errors in 63 games, according to the Society for American Baseball Research.)

Joel John Roberts, chief executive of People Assisting the Homeless, which provides shelters for L.A.'s street residents, says the branding of Mr. Jermyn is "like designing a line of clothing patterned after Iraqi refugees fleeing the war."


Mr. Hirsh and Vic Ackerman, one of the other founders of the clothing line, are sensitive to Ms. Jermyn's concerns about her brother, but say Mr. Jermyn "specifically asked" them not to contact her about the clothing line or the contract. They view Mr. Jermyn as a "business partner" and say they make sure he's aware of how his image is being used.

"He knows everything that's going on," says Mr. Ackerman, noting that Mr. Jermyn nixed a set of promotional photos because he didn't like his outfit and thought he "looked a little puffy." In conversation, Mr. Jermyn speaks softly and mixes short, lucid sentences with longer, less coherent remarks. He has been arrested more than a dozen times since 1986 for violations such as trespassing and jaywalking, according to court records. Most of his skating and curb-side dancing now takes place near Robertson Boulevard, but in the past he roamed throughout Beverly Hills and West L.A., often cradling a boombox and shimmying to loud music. "He was always an extraordinary dancer," says Jim Horne, a classmate of Mr. Jermyn's at Los Angeles Baptist High School.

In addition to his sister, Mr. Jermyn speaks regularly with Ginny Berliner, a 64-year-old woman who befriended him when she owned an antique shop on Robertson. Mrs. Berliner, who now lives in Maryland, used to pay for Mr. Jermyn to sleep in a motel and covered his monthly coffee bill at Michel Richard, the well-known patisserie. "He wants notoriety and glory, but he can't accept money," she says.

On a recent afternoon, clad in his trademark black leggings and visor, Mr. Jermyn said he is "a facilitator" for the brand, and hopes it will expand into music or film. He has become a one-man marketing team, plastering company stickers and pictures of himself on a wall that faces pedestrians on Robertson.


At Kitson's boutiques and on its Web site, the first shipment of "Crazy Robertson" women's clothes -- about 35 items -- sold out in three days, and the store immediately ordered about 90 more pieces, according to owner Fraser Ross. Many of the online buyers were not from Los Angeles and presumably not familiar with Mr. Jermyn, he says. The brand may have appeal beyond L.A., says Mr. Ross, because its name includes "Robertson," which like Rodeo Drive is a destination associated with glamorous shopping.


Mr. Hirsh says the success at Kitson has already generated interest from other retailers. He calls Mr. Jermyn "our Michael Jordan" and is looking into a trademark for "the Crazy Robertson" name and logo. Ms. Jermyn, meanwhile, has different hopes. "I don't want to see my brother get hurt," she says. "They're taking advantage of someone who is very vulnerable and very trusting."



WATCH MR. JERMYN

Videos of Mr. Jermyn
skating and dancing
are among a number of recordings of him posted on YouTube.

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BCBG





from nymag.com

The Label

In the last sixteen years, Max Azria has added fifteen brands—including BCBGirls, To The Max, and Hervé Léger, which he acquired in 1999—to his BCBG empire (named by his wife, Lubova, for the French phrase bon chic, bon genre—Parisian slang for “good style, good attitude"). And just this year he showed his first collection under his name alone. Although the “exclusive” new Max Azria Collection is carried in only a small fraction of his 340 worldwide boutiques, its undone linens, ruffled faille, and loosey-goosey shirt dresses received a tepid reception compared to the more familiar (and playful) embroidered linen frocks and slinky silk dresses in the spring 2007 BCBG line.



A master of distilling everything cute and wearable in seasonal trends—be it wistful baby-doll dresses in 1989, suede and layered tulle skirts in 2000, or origami-treated pieces in his past two collections—Azria puts out nearly 4,000 styles per year.



Born in Tunisia in 1948, Azria moved to Paris as a teenager to study acting but ended up designing womenswear. Upon moving to the States, he started a concept store called Jess, selling his own affordable French fashions to Hollywood starlets before launching BCBG in 1989, which has expanded into shoes, handbags, sunglasses, swimwear, a line of fragrance, and menswear.

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Sunday, November 11, 2007

Rachel Pally

Classic, Beautiful, Comfortable, Feminine, Flattering, Sensual, Sexy Clothing by Rachel Pally! If you haven't tried this knitwear line, then you're missing something special. Rachel Pally, a native LA Dancer combines her flair for style and design in her clothing line. The styles flatter the female figure. They are comfortable and easy to maintain. We have a limited supply of her seasonless items at unbelievable prices!


Rachel Pally began what started as a small contemporary line and has since developed into Rachel Pally, Inc. Rachel Pally's love of dance cultivated her desire to convey the fluidity of movement and the beauty of the human form in each garment she creates.


Rachel Pally has been hailed as Los Angeles' "Jersey Girl" since founded in 2002. Rachel Pally has overseen the company's design direction and led it's extraordinary expansion since the very beginning. From the classic Basic Tee the the ever popular Caftan Dress, Rachel Pally has revailed in the jersey arena with her innovative designs and the ability to mesh simplicity with glamour.


Rachel Pally designs are a favorite among Hollywood's Stars including Cameron Diaz, Jessica Alba, Oprah Winfrey, Sarah Jessica Parker and Tyra Banks.



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Saturday, November 10, 2007

Circadian Studios



Circadian Studios

Circadian Studios creates hand-crafted jewelry by Deanna Abney. The studios are located in San Francisco. The pieces available in DesignersLA are from a limited edition and no longer available through the artist. They are made of genuine sterling silver and 14k gold plated over silver. The organic forms and shapes are pounded and made to resemble Circadian objects. Very unique, very minimal yet bold.

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Designer Fashion - Daily Deal


CIRCADIAN STUDIOS designer jewelry sterling silver hook earrings. About 2.75 inches long. Hand made by the Artist. Only one available. 05031. SKU :DLA06CS11X26S California jewelry designer hand makes all her items using high quality silver and gold. Designer fashion accessories of this nature are fun to wear and have a very contemporary look and feel.

Use coupon code OFF10 for an extra 10% off this item. Click Here.

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Fashion Industry - Larger By Far Than The Film Industry

By Trishia Lopez

Consider the fashion industry, a creative industry larger by far than the film, recorded music and book publishing industries. The fashion industry profits by setting trends in clothing, and then inducing consumers to follow those trends. Trend-driven consumption is good for the fashion industry, because it sells more clothing. In any event, the fashion industry’s ability to create trends is based on designers’ relative freedom to copy. Well, if the law prohibited fashion design copying, then the fashion industry would have a much harder time creating and responding to trends.

Fashion changes daily, so keep your finger on the pulse. Fashion industry clientele include both public and privately-held domestic and foreign apparel manufacturers, designers and retailers. The fashion industry profits by setting trends in clothing, and then inducing consumers to follow those trends. This process leads us to treat clothing as a status-conferring good to be replaced once the fashion changes, rather than as a durable good to be replaced only when all the buttons fall off. So if copyright law were extended to fashion designs, the unique innovation culture of the fashion world might come under intense legal scrutiny. 5055, a bill currently pending before the House which would extend copyright protection to fashion design.


The network allows individuals the opportunity to develop personal profiles to highlight their professional experience in the fashion industry. Certainly, the fashion industry would not function with out warehousing and distribution. Essentially, any business function that is directly relevant to the fashion industry or textile industry is welcome at the Fashion Industry Network. The primary goal of the network is to bring together members of the fashion industry in a friendly setting so that they that they can have open dialog regarding business matters.

Runway models, magazines and red carpets are often the images that spring to mind when someone mentions fashion; but what about all the people working behind the scenes who are bringing ideas to life. Whether you are interested in the creative, technical, or business side of fashion, there is virtually no end to the exciting career paths that you can follow in the fashion industry.

The creative side of the fashion industry offers careers as illustrators, textile designers, costume designers, stylists, and other apparel design positions. In addition, the business side of fashion could serve up a future as a fashion merchandiser, marketing executive, buyer, or trend forecaster. Coming up with new and exciting ways to design a garment is the most important task that a fashion designer or design team must contend with. This is where a fashion design education comes into play.

Fashionising is made up of the fashion lovers, socialites, men-about-town, models, designers, photographers, bloggers, and stylists who make the fashion world what it is. Fashion industry employers are located just about everywhere but most are concentrated in New York City (with over 5,000 showrooms), California (Los Angeles and San Francisco), Miami, London, Paris, and Italy.

Trishia Lopez is a successful Webmaster and publisher.
She provides information about Fashion and fashion issues that you can research in your pajamas.

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Fashion is an art

from The Fashion Gurus

Fashion is an art, like architecture and music. Fashion is an ever-changing phenomenon that captivates the entire world. Though there are signs from earlier, it can be fairly clearly dated to the middle of the 14th century, to which historians including James Laver and Fernand Braudel date the start of fashion in clothing. The pace of change accelerated considerably in the following century, and women's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Fashion Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th-century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles, which remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, finally those from Ancient regime France. The habit of continually changing the style of clothing worn, which is now worldwide, at least among urban populations, is a distinctively Western one.


The "Spanish style" of the end of the century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid 17th century, French styles decisively took over leadership, a process completed in the 18th century. Fashion The fashions of the West are unparalleled either in antiquity or in the other great civilizations of the world. Men's fashions largely derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat or necktie. The pace of change picked up in the 1780s with the increased publication of French engravings that showed the latest Paris styles; though there had been distribution of dressed dolls from France as patterns since the sixteenth century, and Abraham Bosse had produced engravings of fashion from the 1620s.


Although tailors and dressmakers were no doubt responsible for many innovations before, and the textile industry certainly led many trends, the History of fashion design is normally taken to date from 1858, when the English-born Charles Frederick Worth opened the first true haute couture house in Paris. Since then the professional designer has become a progressively more dominant figure, despite the origins of many fashions in street fashion. When people who have cultural status start to wear new or different clothes a fashion trend may start. The terms "fashionista" or "fashion victim" refer to someone who slavishly follows the current fashions (implementations of fashion).


One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. For some, modern fast-paced changes in fashion embody many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. Other people, especially young people, enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things.

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